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Webber London

Webber London
18 Newman Street,
London W1T 1PE

+44 (0)20 7439 0678

Webber Gallery
18 Newman Street,
London W1T 1PE

Webber New York

Webber New York
401 Broadway, Suite 411,
New York, NY 10013

+00 (1) 212 343 7491


Senior Agent (London)

Salary: Upon Application

Start Date: Immediate


This position is for an engaging individual with strong management skills and extensive industry knowledge. The ideal candidate is someone who maintains a calm, energetic and effective manner who actively seeks new business opportunities.

Applicants must have at least 5 years industry experience including team management, be personable and approachable, strong industry contacts in both fashion, commercial and international markets, keen interest in fashion and the arts.

The role will consist of, but not be limited to: Working closely with company Directors to maintain exceptional career management for all artists, drive new business growth, staff management, knowledge of standard rates, usages and production, artist development and strategy.


Theo Simpson The Land of the Day Before 23.01–05.03.17

Theo  Simpson, The Land of the Day Before


Simpson’s collective works reflect on mythical themes relating to landscape and industrial heritage, probing the instability of the post-industrial landscape and its cultural and physical borders. Through the examination of materials, ruins, objects and experiences encountered and created, this practice confronts the diverse language of visual material from a variety of sources and points in time. The inherent power of this material to mould history, distort memories, and to create and manipulate meaning is explored, acting as a starting point for new thinking and possibilities.

The visual syntax of source material informs the method in which his photographic and structural works are re-imagined and presented within the complex and scarred topography of the post-industrial stage. Simpson uses structures to demonstrate the physical properties of the metals they are shaped from and the processes implicit in their manufacture and functionality. The structural form invites a holistic re-examination and re-presentation of their repetitive surfaces, materiality, and the landscapes they speculate upon, adopting an alternative language of tectonics and architecture; man’s inclination to build and to destroy.

This meticulously presented collection of visual material, objects, symbols and structural works are brought together in unlikely combinations, forming a transitory fixing where a potential dialogue can begin.