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Contact

Webber London

18 Newman St
London
W1T 1PE


+44 (0) 20 7439 0678
london@webberrepresents.com

Webber New York

35 E 1st Street

Basement West
New York
NY, 10003

+1 646 370 5713
newyork@webberrepresents.com

Webber Los Angeles
939 S Santa Fe Ave
Los Angeles
CA 90021

Tues - Sat | 11am - 6pm
By Appointment

la@webberrepresents.com
info@webber.gallery

Careers

Position: Accounts & Production Assistant

Company: Webber Represents (London office)

Start Date: Immediate

Salary: Dependent on experience

WEBBER is a contemporary creative agency and gallery representing leading talent across photography, styling, set design, and casting. With presence in London, New York, and LA, we champion visionary artists and cultivate purposeful partnerships through thoughtful curation and integrity - elevating visual storytelling at the intersection of art, commerce, and culture.

We are seeking a detail-oriented and proactive Accounts Assistant to join our dynamic team in London. This role will be crucial in ensuring the smooth and efficient operation of our production & finance department, providing support across a range of tasks.

The ideal candidate will be a highly organised individual with a strong work ethic and a passion for accuracy. Webber is a busy and evolving creative agency set to expand, with exceptional career growth potential.

Responsibilities, include but not limited to:

• Create, post, and send out client invoices accurately and in a timely manner. Respond to and resolve client queries regarding invoices and payments in a positive manner. Complete necessary forms and customer portal setups in collaboration with production. • Send daily update emails on client payments received, and weekly updates for jobs to be wrapped and unpaid advance invoices.• Collaborate with the production team to ensure timely job invoicing, including chairing weekly meetings to review open jobs and any debts of concern. Lead weekly meetings with the production team – creating the agenda, sending follow up notes to ensure tasks are completed.• Perform supplier statement reconciliations on a weekly basis. Prepare weekly payment runs and send remittance advices.• Overseen by the Finance Manager, generate and send recharge invoices to artists for editorial expenses, maintaining accurate recharge trackers. Prepare quarterly artist statements and clearly communicate any concerns into the Finance Manager & Agents with potential solutions in mind. • Manage studio expenditure and budget, tracking expenses and processing invoices. Collaborate with the London team on monthly budget projections and reconciliations. Overseen by the Finance Manager, introduce new processes and cost saving exercise. • Liaise with the IT department to ensure smooth operation of studio technology, including security, software updates, and password management. Ensuring the budget is reasonable and spend if kept to business critical tasks. • Build and nurture positive relationships with artists and suppliers, communicating in a professional yet personable manner.

Qualifications & Skills:

• Proven experience in an accounts assistant or similar role. Previous experience in a productionbased role or artist management financial department is desired.• Strong understanding of basic accounting principles.• Excellent attention to detail and accuracy.• Proficiency in using accounting software and Microsoft Office Suite (especially Excel).• Strong organizational and time management skills.• Excellent communication and interpersonal skills.• Ability to work independently and as part of a team. • Proactive and problem-solving attitude. • Experience with Quickbooks online• Experience with ApprovalMax is a plus.

Webber

Steve Harries Octopus, 2022

The British visual artist Steve Harries explores the force and fragility of our environment. In his book Octopus, he turns his attention more specifically to mountain landscapes and their glaciers. Over the last ten years, Harries has produced a corpus of photographs of mountains around the world, inspired in particular by the geological processes behind their formation and their morphological features. His experience with still life photography has also inspired him to hone in on certain geological details.

Recently, his discovery of Marianne Moore’s poem “An Octopus” (1924) changed how he views his own photographs, prompting him to organize them differently. He has therefore put together a more freely composed sequence, emulating Moore’s approach by overlaying images created in differing ways and instilling a bold formal dialogue that encourages a new appreciation of mountain landscapes.

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