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Contact

Webber London

Webber London
18 Newman Street,
London W1T 1PE

+44 (0)20 7439 0678
london@webberrepresents.com

Webber Gallery
18 Newman Street,
London W1T 1PE
info@webber.gallery

Webber New York

Webber New York
Roulston House, Suite 248
124 9th Street
Brooklyn
NY11215

+1 212 343 7491
newyork@webberrepresents.com

Webber LA

Webber LA
939 S Santa Fe Ave
Los Angeles
CA 90021

la@webberrepresents.com
info@webber.gallery

Careers

Position: Accounts Assistant

Company: Webber Represents (London office)

Start Date: Immediate

Salary: £23k

WEBBER is a thriving multidisciplinary agency and gallery that harmonizes creativity and collaboration with contemporary lens-based artists and clients. As we’re going through a period of re-imagination, we want to nurture a space that respectfully involves and empowers individuals who have been historically denied access within our industry. We’re a small team looking for an ACCOUNTS ASSISTANT, to work alongside our Senior Accountant and Agents and Producers with enthusiasm and efficiency. The successful applicant should be a proactive, self-motivated and an extremely organised individual with excellent people skills and a keen eye for detail. Webber is a busy and evolving creative agency set to expand, with exceptional career growth potential.


Responsibilities:

Accounts receivable duties including but not limited to:

  • Creating, posting and sending out client invoices
  • Initial stage credit control
  • Working with the production team to ensure timely job invoicing
  • Handling client queries
  • Completing the necessary forms and customer portal setups

Accounts payable duties including but not limited to:

  • Upload of supplier invoices via ApprovalMax
  • Daily maintenance of the dedicated Accounts Payable inbox
  • Preparation of weekly payment runs
  • Supplier statement reconciliations
  • Debit & Credit Card reconciliation

Additional responsibilities:

  • Assisting the production team with budget reconciliation queries
  • Assisting in preparation of profitability reports across agency subdivisions

Software Experience:

  • Microsoft Word & Excel (Basic)
  • Quickbooks (Training given)
  • Lookbooks (Training given)
  • Adobe Creative Suite, in particular acrobat (Preferable but not essential)


Please send cover letter and CV to Jan Phipps jan@webberrepresents.com

Webber

Steve Harries, Octopus, Fondazione Sozzani
31.03–29.05.22

Steve Harries, Octopus | Fondazione Sozzani, Milan

March 31 – May 29, 2022

Exhibition Opening
Wednesday 30 March, 5:30-8PM

In Octopus, British artist Steve Harries explores the strength and fragility of our global environment, adopting his signature still-life approach to capture detailed geological studies and epic glacial landscapes.

“As a photographer, the mountains evoke such curiosity and inspiration. Their texture, formation and silhouette. Their age and history. Over the last 10 years I have recorded a portfolio of their form and geology from around the world. Subjects which were all studied in isolation and often clash and collide. But sometimes talk to each other with a quiet synergy.”

Photographed over a decade and in multiple locations spanning Austria, Italy, Canada and Chile, Harries’ initially sought to capture an instinctual visual response to our natural surroundings; one of respect, appreciation and admiration. Yet on reading the poem ‘An Octopus’ by Marianne Moore (1924), Harries describes how his pictures took on a new meaning.

“My pictures felt immediately understood in series. Her words speak so perfectly of this landscape. The beauty, presence, strength and power. The changing perceptions and wider influence on the natural world. She has enabled me to combine and choreograph this catalogue of images, dissecting and layering with a blissful randomness that felt alien before.”

“Relentless accuracy is the nature of this octopus with its capacity for fact.
Creeping slowly as with meditated stealth,
its arms seeming to approach from all directions..”

“the lightning flashing at its base,

rain falling in the valleys, and snow falling on the peak—

the glassy octopus symetrically pointed,

its claw cut by the avalanche

"with a sound like the crack of a rifle,

in a curtain of powdered snow launched like a waterfall.”

In 1924 Moore too observed a sense of constant change; the movement of texture and form through light and time. Her words now have a new resonance with the glacier’s forced fragility in our modern times.